The first interlude presents a series of chord progressions that lead into a recount of the traditional polonaise melody, with the polonaise rhythm employed in the left-hand accompaniment. The theme is repeated up an octave with short trills that fill some of the auditory gaps in the theme. It is the familiar part of the piece and has the left hand moving in pounding octaves. The first theme is a dance-like theme and in the tonic key of A-flat major. The piece features a grand introduction with fast ascending chromatic notes in both hands, setting the mood of the piece, also it shows the heroic side of Chopin’s art. The main theme is preceded by an introduction of about thirty seconds in length. The form may be viewed as intermediate between ternary (A-B-A) and rondo (A-B-A-C-A), since the first interlude is much shorter than the second (16 vs. The tempo of the piece is Alla polacca e maestoso (“like a polonaise and majestic”). Use of a wide range of the piano keyboard.Fast ascending chromatic perfect fourths.The polonaise features many difficult technical aspects, including: In spite of Chopin’s reluctance to bestow descriptive names on his music, music scholars and concert pianists have nevertheless associated the grand architecture of the music with this sobriquet, “Heroic.” Technical aspects From now on this polonaise should be a symbol, a symbol of heroicness!”). Désormais cette polonaise devrait être un symbole, un symbole héroïque!” (Translated: “The inspiration! The strength! The vigour! There is no doubt that such a spirit must be present in the French Revolution. In one of their letters, she wrote passionately, “L’inspiration! La force! La vigueur! Il est indéniable qu’un tel esprit doit être présent dans la Révolution française.

53, Sand was left with a deep symbolic impression which she communicated to Chopin in their private correspondence. In one of these, for example, she wrote, “I cannot believe in any republic that starts a revolution by killing its own proletariat.” On hearing Chopin’s Polonaise in A-flat major, Op. This allowed her to publish more political essays, expressing her strongly felt convictions. Around this time, Sand started her own newspaper which was published in a workers’ co-operative. When the 1848 Revolution began in France, women had no rights and Sand believed these were necessary for progress. George Sand, Chopin’s longtime lover and companion, responded vigorously to the Revolutions of 1848 as did many intellectuals of the day. The polonaise was dedicated to Auguste Léo. The piece, which is very difficult, requires exceptional piano skills and great virtuosity to be interpreted at a high degree of proficiency. This composition is one of Chopin’s most admired compositions and has long been a favorite of the classical piano repertoire.

53 (French: Polonaise héroïque, Heroic Polonaise) for solo piano, was written by Frédéric Chopin in 1842.

Chopin heroic polonaise pdf